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Read online The New Cambridge Shakespeare: The Merry Wives of Windsor by William Shakespeare in DJV

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Each edition includes: - Freshly edited text based on the best early printed version of the play - Full explanatory notes conveniently placed on pages facing the text of the play - Scene-by-scene plot summaries - A key to famous lines and phrases - An introduction to reading Shakespeare's language - An essay by an outstanding scholar providing a modern perspective on the play - Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Natasha Korda The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu., Lively, instructive access to Shakespeare's rich and complex works. This new edition of Shakespeare's Merry Wives of Windsor focuses at every point on a theatrical understanding of the play. While emphasising the liveliness of the play in stage terms, David Crane also claims that this citizen comedy needs to be taken much more seriously than in the past, as an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process he also examines Shakespeare's free and vigorous use of different linguistic worlds within the play. Together with a freshly edited text, a new account of the play's textual history is provided. Crane concludes that at the time of its earliest performances Shakespeare's text was in the process of adaptation to specific theatrical needs, and as much in the possession of its players as of its author., New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary., Parenting advice which promotes self confidence, self esteem, and compassionate children, along with a strong parent/child bond., The Merry Wives of Windsor, Shakespeare's only thoroughly English comedy, created an archetypal literary figure in the shape of the devious, irrepressible John Falstaff. This stimulating new edition celebrates the play as a joyous exploration of language, but also places elements of its plot firmly in a continental, specifically Italian, tradition of romantic comedy. It draws out the complexities of Merry Wives as a multi-plot play, and takes a fresh and challenging look at both textual and dating issues; a facsimile of the first Quarto is included as an appendix. The play's extensive performance history, both dramatic and operatic, is fully explored and discussed. This is a significant and substantive edition, in that nothing has been taken for granted, everything has been opened to reconsideration. The commentary is exceptionally detailed and attentive to questions of language and meaning. John Jowett, Shakespeare Institute, University of Birmingham, Shakespeare Quarterly, This edition of Shakespeare;s The Merry Wives of Windsor focuses at every point on a theatrical understanding of the play. While emphasizing the liveliness of the play in stage terms, the author also claims that this citizen comedy needs to be taken much more seriously than in the past, as an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process the text also examines Shakespeare's free and vigorous use of different linguistic worlds within the play. Together with a freshly edited text, a new account of the plays textual history is provided. Crane concludes that at the time of its earliest performances Shakespeare's text was in the process of adaptation to specific theatrical needs, and as much in the possession of its players as of its author., When a new play was required at short notice for a court occasion in 1597, Shakespeare created The Merry Wives of Windsor, a warm-hearted and spirited "citizen comedy" filled with boisterous action, situational irony, rich characterization--and the likes of Falstaff, Pistol, Mistress Quickly, and Justice Shallow. In his introduction and commentary, Craik examines a wide range of topics, including the play's probable occasion, its relationship to Shakespeare's English history plays and to other sources, its textual history, with particular reference to the widely diverging 1623 Folio and 1602 Quarto, and its quality as drama. In light of various topical, critical, and theatrical interpretations of the play, Craik pays particular attention to defining the literal sense, proposing some new readings, and evoking the many aspects of the stage business.

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